National University of Theatre and Film

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The training of specialists in the field of performing arts and film and related areas (media, multimedia, artistic and cultural marketing and management, artistic pedagogy) at BA, MA and doctoral level, as research university for advanced / artistic creation and education in artistic and professional excellence profile;
Promoting the spirit of innovation and excellence, critical thinking... and creativity through individual and collective artistic creation, through scientific research and exploitation and dissemination of results in national and international context;
The protection of cultural identity, promoting and supporting the diversity of forms of expression and creative content; The protection of academic democratic framework, based on respect for fundamental rights and freedoms; The active citizen participation in society, promoting social inclusion and entrepreneurship for good relations with the labor market.
UNATC assumes its role as national cultural center that contributes to the formation, development, transmission and dissemination of cultural values​​, and represents a benchmark for the art and culture of our country, a generator of artistic and cultural events.
The Theatre Faculty’s mission is to prepare high-level professional artists in the field of theatre, capable of continuous improvement of their skills and aptitudes.
The teaching process is centered on acquiring the main professional skills and abilities in order to ensure an immediate and seamless integration of the graduate student in a professional structure (theatre company) or to enable him/her to become initiators of artistic, managerial and pedagogical projects. The training programs reflect interest in both classical theatre values and the interdisciplinary concept that defines contemporary art. The creative lab has a central place in the Theatre Faculty providing the necessary framework for the formation of a free critical dynamic thinking.
Students are encouraged to investigate as part of creative teams, to experience different working formulas, understand the theatre as a social phenomenon with a changing role in the contemporary world. An important factor in the training of the young artists is the direct contact with young audiences, which are seen as taking an active part in their formation.
As a leading exponent of the art theatre pedagogy in our country, UNATC developed new formative concepts highlighted by training cycles and by specific research. The UNATC Theatre faculty is a member of ELIA.